How do the discourses produced about the 33rd Bienal spread beyond the exhibition pavilion? How are the objects displayed there used to create new discourses, often independent from the artists and the curatorship? What are the most recurrent immediate reactions of the public in regard to the artworks and specific areas of the exhibition space? How does a bot trained with official texts and images of the Bienal react upon receiving material from the public? Finally, how are the current political situation and the coup d’état underway in Brazil perceptible in the exhibition this year?