Actions that expand the idea of being present at the 33rd Bienal de São Paulo. What are the changes of understanding when someone refuses to be physically present (or open their eyes) in the exhibition space, avoiding the official discourse constructed there and the physicality of the artworks on display? How is a human body in the photographs of the Bienal interpreted by the artificial intelligences? In what way can the records of the exhibition intermediate the relationship between Brazilian immigrants in a foreign country and their memories of Brazil?